Narsh Henckel -selected paintings.

She’s Gone - Digital artwork - edited photo layered drawings and paper cuttings.

She’s Gone - Digital artwork - edited photo layered drawings and paper cuttings.

 

‘She’s Gone’ tells the poignant story of one of Oxford’s many street dwellers whose wife Steph, the name tattooed on his arm, recently lost her battle with cancer. Prior to Steph’s death, the couple struggled to pay for extortionate medical care which could only be gained privately. The huge bills, overdue rent and his partner’s death led to depression and homelessness. Viewed through fiery orange geometry, his reading material painfully entitled ‘Quick Bites’ I want to make visible those that have become invisible, to question the structures that allow such misfortune to go unheeded and unaided.

Abstract painting wall art by Narsh Henckel

Patched - Paper, thread, ink, watercolour, pen, plastic on paper - 44cm x 38.1cm

 

With stitches, patches and burnt sections, this piece explores and expresses emotional hurt. Often invisible to others and hidden behind a mask, our hurt emotional landscape is laid bare here, showing areas of mending where some temporary measures of healing have taken place. Areas of distraction where a superficial interest has taken attention away from the raw feeling and tempered it for a while. Areas of new structures are revealed in the burnt away holes, representing the reconstruction of new beliefs that have emerged from the pain. In a sense, this piece is a recognition of the raw depths of human pain yet also a reminder of our ability to heal, regrow and adapt.

Man & Woman - Gouache, Watercolour & 24 karat gold leaf on Watercolour paper -

Man & Woman - Gouache, Watercolour & 24 karat gold leaf on Watercolour paper -

 

The royal shimmer of gold leaf, so often used in medieval art, inspired me when creating this diptych. Both Woman and its partner piece, entitled Man, were created together so that there would be a sense of unity between the two pieces of art work. I found mixing the translucent watercolours with the opaque gouache were an exciting contrast that brought a sense of depth and richness. By leaving the meaning and symbolism of this diptych open, I hope that the viewer can bring their own personal interpretations and experiences to the art and can connect with the piece in a more personal way. I wanted to continue the patterns and shapes across the two pictures so that they look eye catching alone but play off each other as the viewer's eyes carry over from one piece to another. As if they are two united entities, separated by just a small distance.

New Beginning - Acrylic, Spray paint, Gold leaf on Canvas - 30cm x 60 cm

New Beginning - Acrylic, Spray paint, Gold leaf on Canvas - 30cm x 60 cm

 

This piece was the very first artwork I created in my brand new studio and is therefore called New Beginnings. It captures the excitement, energy and anticipation that comes with positive change and a fresh start. I created it spontaneously and without planning or rigid process as I wanted to put onto the canvas the emotion of the moment without filtering it or watering it down in any way. I hope it will bring some spontaneity, and a splash of colour to you.

The original artwork as well as prints are available in my Saatchiart portfolio.

A Carnival of Pattern - Acrylic, inks & paper on canvas - 100cm x 100cm

 

Like a carnival dancer swirling through a street of colour, this painting captures a deep desire to be free, confident and spontaneous. Spiralling with a roller I could, for a moment, surrender to that freedom. But the geometry with it's meditative, repetitive lines, shapes and forms symbolise the order amidst the chaos and the calm and silence behind the cacophony of colour and sound. This piece could be viewed on many levels. The twelve sided geometric polygons can be seen as a symbol of time, our preoccupation with schedules and deadlines. Our need to break free and follow our intuition, if even for a short spin. The geometry, being mostly hidden may also be seen to hint at a hidden order behind the apparent chaos of daily life, whether this be the psychological structures we hold in our minds that help us order the events in our lives or possibly, deeply held spiritual beliefs that enable us to see meaning, even in the mundane.

Winds of Change - Digital photo layered image

Winds of Change - Digital photo layered image

 

This piece was created during the first weeks of the COVID 19 lockdown period. It consists of 3 layered photos that together contribute to the meaning of the artwork. Looking out of my window after a sandstorm, the sand that had settled onto the floor outside, it had patterns 'drawn' into it by the swirling winds. For me the wind is so changeable and unpredictable thus acting as a symbol for the unpredictable times that stormed upon us and forced us into lockdown. This is the first layer of the image.
The second layer is of an anatomical, paper cut study of a cross section of the human brain. A symbol of the incredible ingenuity, creativity and resilience of humans even in the face of a global pandemic. Weather it be the front line workers, the vaccine researchers or people turning to creativity to pass the time in confinement.
Finally, the geometric pattern, based on the number twelve, represents the passing of each part of the day, of new routines carved out of the confusion of quarantine. For some, a never ending humdrum of monotony, others a time of deep worry, and still others a time to reunite and bond with close family. This piece could be seen to capture the best of humanity during a trying time, a rewiring of our brains for the common good, a time when many changed their routines to keep others safe.

Deep Rooted - Acrylic & paper on canvas - 60cm x 60cm

 

The recent serious illness of a loved one led me to reflect and question personal, deep rooted, almost subconscious assumptions about life, health and spirituality. Rules and self imposed laws created deep down in response to life experience, hurt and sometimes misguided ‘understandings’ of the world are an attempt to bring order to seemingly chaotic emotional experience. The process of looking at oneself, not only physically but spiritually, can be difficult as reflected in the intense, tired eyes of the subject in the portrait. The scattered scarlet, geometric skin patterns hint at the underlying rules and decisions about self. Decisions made in the past and held deep down that affect current actions, thoughts and emotions. The raw, red hues hint at the pain of change, of looking closely at uncomfortable assumptions, of rediscovering order and the effort of defying the unwavering pull of entropy. Perhaps though, the turquoise background hints at a better day to come, a blue sky will return. I hope that this painting can give solace to one suffering, can perhaps be a way to connect, a way to say you're not alone.

Today, the Day. Now, the Time. Acrylic - paper, thread, ink on canvas.

61 x 51cm

 

Stitched, burned, cut & collaged, painted and layered. The many textures and processes allude to layers of history, pain, anguish - of memories stitched together randomly and sometimes inaccurately or cut into the collective unconscious of those who have suffered.

The central geometry represents the power of Today and the potential we have to adapt. Those of us with inaccurate ancestral memory have a chance to reeducate ourselves and seize the opportunity for change that we have in our grasp. Those of us who have suffered, have a much needed opening to tell our history and own our story without being gaslighted.

This is my second piece created in response to the current events that have affected so many of us around the world and has led to the #blacklivesmatter movement. With the sale of this artwork, I pledge to give 10% of the profit to the charity Amnesty International or Stop Hate UK as a way to support justice and change in our society. To prove this, I will provide the purchaser with confirmation of the contribution, via email.

Fractured, Not Broken - Acrylic, inks, thread & paper on canvas 25.5 x 30.5cm

Fractured, Not Broken - Acrylic, inks, thread & paper on canvas 25.5 x 30.5cm

 

A symbol of hope, the central pentagonal geometric element in this painting could be seen to represent Humankind. Split apart, seemingly separated yet touching at its highest point. Brought together by our highest ideals of unity, fairness and togetherness there is hope that we can reunite and strengthen fractured aspects of our society. This is part of my response to the social unrest, the highlighting of systemic racism, unfair treatment and separation between the treatment of white people and people of colour which has been brought to a head after the horrific killing of George Floyd. The curved, blue riverlike aspect could be seen to represent our history as it flows unrelentingly forward towards our shared future. In the words of the America author, Kekla Magoon, 'The river moves but it follows a path. When it tires of one journey, it rubs through some rock to forge a new way. Hard work, but that's its nature.' As humans, we are constantly forging new paths in our history but there are times when this forging is 'hard work', uncomfortable and even bloody. This is why hope is so important, the aspiration and yearning for change and a shared better future. With the sale of this artwork, I pledge to give 10% of the profit to the charity Amnesty International or Stop Hate UK as a way to support justice and change in our society. To prove this, I will provide the purchaser with confirmation of the contribution, via email.

Portfolio Slideshow